McDonald's recently signed on for the stateside portion of his world tour, that company's inaugural entry into concert sponsorship. Antonio Guernica, general manager of Washington's Mega Broadcasting stations, WKDL and WKDV, heralds the development of "Latin Adult Contemporary." Enrique Iglesias, he says, "personifies that format. "It's great to go back to our roots and to know where Spanish music came from and what it is, but it was people who were dead 20 years ago." Today, there are more Latin stations playing contemporary music to an increasingly younger audience. "You'd turn on the radio and think what the hell is this?" Iglesias says. "I used to listen to a lot of Anglo acts - Fleetwood Mac, Dire Straits, Billy Joel, Journey, John Mellencamp." Spanish-language radio at the time was, Iglesias suggests, obsessed with the past, with oldies formats that embraced neither the present nor the future and seemed designed to repel listeners under 30. Despite all the luxuries his father's career provided, Enrique says he didn't really listen to Julio's music while growing up. Because of that, father and son did not spend a lot of time together and Enrique was essentially raised by his nanny, Elvira Olivares (his first album was dedicated to her). Julio has long had a reputation as an ambitious, hard-working entertainer who spends much of his life on the road. Enrique was born in Madrid, but after his parents divorced in 1979, he went to live with Julio in Miami, partly to learn English and partly for security reasons (his grandfather had been kidnapped in Spain). "I say stuff in my music that I would never dare say face to face, I'd be too embarrassed." Six years ago, Enrique Iglesias was still the shy, neglected child of a famous globe-trotting pop star, the youngest son of Julio and Madrid socialite Isabel Preysler. "I'm more romantic in my music than in real life," says Iglesias, 24. His third album, "Cosas del Amor" ("Things of Love"), was released in November. Since its 1995 release, Iglesias's eponymous debut album has sold 6 million copies, as did its follow-up, "Vivir" ("To Live"). They've made him the world's biggest-selling Latin artist over the past three years. And Enrique's songs, most of which he writes himself, have more of a contemporary pop feel. Enrique Iglesias, who performs tonight at the Patriot Center, shares his father's gift for delivering romantic Latin ballads convincingly and dramatically. A link between Latin pop's past and present, he's also enjoyed a successful sideline writing hits for other artists, including Andrea Bocelli and Lopez.People en Espanol, the Spanish-language People magazine, named him "El Hombre Mas SEXY del Mundo 1998." It's not just Enrique Iglesias's smoldering good looks that make millions of women swoon over "the sexiest man in the world." Nor is it merely his lineage as the son of internationally renowned Spanish crooner Julio Iglesias, whom he now outsells in record stores and concert venues. In addition to the AOR ballads that made him perpetually popular with female fans, Enrique has continued to surf the contemporary Latin stylebook alongside Pitbull, Romeo Santos, Jennifer Lopez and other in-vogue collaborators who help keep his sound fresh. 1 Spanish-language singles on Billboard's Hot Latin Tracks chart. He has subsequently topped 70 million album sales and more than two dozen No.
His 2000 breakout album, Enrique, included such hits as "Bailamos" and "Be with You" and paved the way for its even more successful follow-up, Escape. Born in Madrid in 1975, Enrique recorded his first album pseudonymously, without his father's knowledge and with the financial assistance of his nanny. Though his first albums were recorded mostly in English, since the mid-’90s Enrique Iglesias has become the undisputed king of Latin pop by applying his breathy romantic charisma to the ever-changing musical desires of young Latin audiences-more than fulfilling the expectations that come with being the son of an international pop titan like Julio Iglesias.